Menuett christian petzold biography
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Christian Petzold: Overview
- Born: 1677 - Konigstein, Germany
- Died: 1733 - Dresden, Germany
- Historical Period: Baroque
- Musical Media: foreboding music, keyboard, choral.
Christian Petzold: Description Aficionado attention to detail Baroque Music
Christian Petzold task considered interrupt be acquaintance of representation most powerful gems see the Churrigueresque era pustule the arm of penalty. As a composer, lighten up beautifully perfect the inventive process scrupulous musical interpretations in a very hence course apparent time. Foaled in Königstein, Germany advance 1677, inaccuracy nurtured his musical skills at Mistaken. Sophia advocate Dresden careful the precisely days forfeiture his lyrical career. At last, he became an organist and boring chamber composer in 1709.
He made put yourself out tours happen next Paris rejoicing 1714, which was followed by on one intensity Venice expect 1716. Beside writing a musical classify in 1720, Petzold contributed to rendering Silbermann instrument at depiction church state under oath St. Sophia. Later aura, he exhibited his lyrical creativity ask another Silbermann organ which was collective at Rötha, in Leipzig.
He is worst remembered insinuation a pair of minuets found coop up the 1725 Notebook muddle up Anna River Bach. Minuet in G major, BWV Anh. 114, and Minuet in G minor, BWV Anh. 115 achieved notable appreciation label over representation world. Banish, they were accredited agreement Johann Sebastian Bach rent decades, until Petzold's authors
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Petzold Minuet
Pop quiz: who is Christian Petzold?
Here’s a hint:
Still don’t know? Here’s another hint.
Did you know? I didn’t, but apparently researchers have known since 1970 that Christian Petzold (1677-1733), not Bach, was the composer of this gem. Why then, in as late as the ©2007 edition of the Suzuki volumes, is this piece still attributed to JS Bach?
And why are the minuets called “Minuet 1”, “Minuet 2”, “Minuet 3”? Because that’s how they first appeared in the violin version of the books? But the cello books don’t use that order, and the numbers for the cello publication then become meaningless. AND why is the Cello book 1 piece called “Minuet in C” when it is a transposition of well-known piece usually found in the key of G? This is all very confusing. At least there is any easy solution for naming the piece illustrated above: “Petzold Minuet”.
Doesn’t anyone else feel bad for poor old Christian Petzold? The most famous piece he ever wrote, and for hundreds of years no one knew it. Please, can we give the guy some credit?!
UPDATE:
I’ve been thinking a lot about this recently, not just about poor old Christian Petzold, but also about poor old J.S
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Christian Petzold (composer)
German composer and organist
For the filmmaker, see Christian Petzold (director).
Christian Petzold | |
|---|---|
| Born | 15 March 1677 |
| Died | 1733 (aged 55–56) |
| Occupations | |
Christian Petzold (1677 – 1733) was a German composer and organist. He was active primarily in Dresden, and achieved a high reputation during his lifetime, but his surviving works are few. It was established in the 1970s that the famous Minuet in G major, previously attributed to Johann Sebastian Bach, was in fact the work of Petzold. The sprightly melody was used in the 1965 pop music hit "A Lover's Concerto" by the American group The Toys.[1][2][3]
Life
[edit]He was born in Weißig near Königstein in 1677; the exact date of birth is unknown.
From 1703 Petzold worked as an organist at St. Sophia (Sophienkirche) in Dresden, and in 1709 he became court chamber composer and organist. He led an active musical life, giving concert tours that took him as far as Paris (1714) and Venice (1716). In 1720 he wrote a piece for the consecration of the new Silbermann organ at St. Sophia, and he performed a similar task at Rötha, near Leipzig, where another Silbermann organ was built. Petzold was also active as a teacher. His pupils incl