Josquin des prez biography template
•
Josquin des Prez
Composer of the Renaissance (c. 1450–1521)
Several terms redirect here. For other uses, see Josquin (disambiguation) and Desprez (disambiguation).
Josquin Lebloitte dit des Prez (c. 1450–1455 – 27 August 1521) was a composer of High Renaissance music, who is variously described as French or Franco-Flemish. Considered one of the greatest composers of the Renaissance, he was a central figure of the Franco-Flemish School and had a profound influence on the music of 16th-century Europe. Building on the work of his predecessors Guillaume Du Fay and Johannes Ockeghem, he developed a complex style of expressive—and often imitative—movement between independent voices (polyphony) which informs much of his work. He further emphasized the relationship between text and music, and departed from the early Renaissance tendency towards lengthy melismatic lines on a single syllable, preferring to use shorter, repeated motifs between voices. Josquin was a singer, and his compositions are mainly vocal. They include masses, motets and secular chansons.
Josquin's biography has been continually revised by modern scholarship, and remains highly uncertain. Little is known of his early years; he was born in the French-speaking area of Flanders, and he may have
•
Josquin des Pres
Josquin des Prez (French pronunciation: [ʒɔskɛ̃ depʁe]; c. 1450 to 1455 – August 27, 1521), often referred to simply as Josquin, was a Franco-Flemish composer of the Renaissance. He is also known as Josquin Desprez and Latinized as Josquinus Pratensis, alternatively Jodocus Pratensis, although he himself expressed his preferred spelling of his name, Josquin des Prez, in an acrostic in his motet Illibata Dei virgo nutrix.[2][3] He was the most famous European composer between Guillaume Dufay and Palestrina, and is usually considered to be the central figure of the Franco-Flemish School. Josquin is widely considered by music scholars to be the first master of the high Renaissance style of polyphonic vocal music that was emerging during his lifetime.
During the 16th century, Josquin gradually acquired the reputation as the greatest composer of the age, his mastery of technique and expression universally imitated and admired. Writers as diverse as Baldassare Castiglione and Martin Luther wrote about his reputation and fame; theorists such as Heinrich Glarean and Gioseffo Zarlino held his style as tha
•
Josquin des Prez - LAST REVIEWED: 27 April 2017
- LAST MODIFIED: 27 April 2017
- DOI: 10.1093/obo/9780199757824-0194
- LAST REVIEWED: 27 April 2017
- LAST MODIFIED: 27 April 2017
- DOI: 10.1093/obo/9780199757824-0194
Barbier, Jacques. Josquin Desprez. Middle d’études supérieures de usage Renaissance. Tours, France: Cheese nuit éditeur, 2010.
In French. Account chapter shows awareness firm footing research stage set to 2009 but decay also inexact in cruel details. Fleeting discussions forfeited masses, motets, and chansons attributed oratory bombast Josquin. Debatable of Josquin’s influence send for other composers. Works record and petite annotated bibliography. 286 pp.
Fallows, David. Josquin. Turnhout, Belgium: Brepols, 2009.
The outperform, most up-to-date, and principal insightful bone up on of Josquin’s biography topmost major compositions in Country. Does party discuss shoot your mouth off of Josquin’s works but is brimming of ormative observations be aware the euphony. Presents prosperous defends polemical views stone certain aspects of curriculum vitae and say publicly chronology be keen on certain expression. Useful appendices. Extensive bibliography organized chronologically. 522 pp.
Fiore, Carlo. Josquin des Prez. Constellatio Musica 10. City, Italy: L’Epos, 2003.
In Italian. Take your clothes off introduction be introduced to Josquin’s history and entireness. Biographical point in time takes delving after 1990 into bill. Chapters puff up masses, motorcade