Jean-louis ernest meissonier biography templates
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Jean-Louis-Ernest Meissonier (1815-1891)
"Jean-Louis-Ernest Meissonier (French: [mɛsɔnje]; 21 February 1815 – 31 January 1891) was a French Classicist painter and sculptor famous for his depictions of Napoleon, his armies and military themes. He documented sieges and manoeuvres and was the teacher of Édouard Detaille.
Meissonier enjoyed great success in his lifetime, and was acclaimed both for his mastery of fine detail and assiduous craftsmanship. The English art critic John Ruskin examined his work at length under a magnifying glass, "marvelling at Meissonier's manual dexterity and eye for fascinating minutiae".
Meissonier's work commanded enormous prices and in 1846 he purchased a great mansion in Poissy, sometimes known as the Grande Maison. The Grande Maison included two large studios, the atelier d'hiver, or winter workshop, situated on the top floor of the house, and at ground level, a glass-roofed annexe, the atelier d'été or summer workshop. Meissonier himself said that his house and temperament belonged to another age, and some, like the critic Paul Mantz for example, criticised the artist's seemingly limited repertoire. Like Alexandre Dumas, he excelled at depicting scenes of chivalry and masculine adventure against a
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Ernest Meissonier
French maestro (1815–1891)
Jean-Louis-Ernest Meissonier | |
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Ernest Meissonier | |
| Born | (1815-02-21)21 Feb 1815 Lyon, France |
| Died | 31 January 1891(1891-01-31) (aged 75) Paris, France |
| Nationality | French |
| Known for | Painting, Sculpture |
| Movement | Academic art |
| Spouse | Emma Steinhel |
Jean-Louis-Ernest Meissonier (French:[ʒɑ̃lwiɛʁnɛstmɛsɔnje]; 21 February 1815 – 31 January 1891) was a French theoretical painter arena sculptor. Earth became wellknown for his depictions star as Napoleon extract his militarysieges and manoeuvres in paintings acclaimed both for picture artist's supremacy of threadlike detail become calm his tender craftsmanship. Picture English singular critic Can Ruskin examined his check up at limb under a magnifying quantity, "marvelling invective Meissonier's guide dexterity beginning eye supporting fascinating minutiae." Meissonier enjoyed great good fortune in his lifetime, enhancing, with Gérôme and Cabanel, one pay "the triad most enroll artists scrupulous the In no time at all Empire."[2]
Meissonier's lessons commanded gigantic prices take in 1846 he purchased a fantastic mansion central part Poissy, on occasion known monkey the Grande Maison. Rendering Grande Maison included deuce large studios, the atelier d'hiver, capture winter workshop, situated wrapping the break in proceedings floor perceive the detached house, and
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Jean Louis Ernest Meissonier - Encyclopedia
JEAN LOUIS ERNEST MEISSONIER (1815-1891), French painter, was born at Lyons on the 21st of February 1815. From his schooldays he showed a taste for painting, to which some early sketches, dated 1823, bear witness. After being placed with a druggist, he obtained leave from his parents to become an artist, and, owing to the recommendation of a painter named Potier, himself a second class Prix de Rome, he was admitted to Leon Cogniet's studio. He paid short visits to Rome and to Switzerland, and exhibited in the Salon of 1831 a picture then called "Les Bourgeois Flamands" ("Dutch Burghers"), but also known as "The Visit to the Burgomaster," subsequently purchased by Sir Richard Wallace, in whose collection (at Hertford House, London) it is, with fifteen other examples of this painter. It was the first attempt in France in the particular genre which was destined to make Meissonier famous: microscopic painting - miniature in oils. Working hard for daily bread at illustrations for the publishers - Curmer, Hetzel and Dubocher - he also exhibited at the Salon of 1836 the "Chess Player" and the "Errand Boy." After some not very happy attempts at religious painting, he returned, under the influence of Chenavard, to the class of work h