Arthur m jolly biography of rory
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The play takes place in a Siberian Gulag, where the arrival of a new inmate upsets the hierarchies and alliances between her fellows. It's a tense drama for five women, mostly set inside the bunkhouse. A man playing dual roles (abusive husband, and a grown son) appears in the opening and closing scenes.
The 2013 production in Valdez at The Last Frontier Theatre Conference by Toss Pot Productions.
(L to R) Annia Wyndham, Tamar Shai, Danielle Rabinovitch and Morgan Mitchell. Directed by Arlitia Jones. Photo by Jamie Lang.
A Gulag Mouse won the 2009/2010 Joining Sword and Pen competition, Seattle's Off-Broadway Playwrights competition and was a finalist for the 2010 inaugural Woodward/Newman Drama Award. It premiered at the Trap Door Theatre in Chicago, 2010 by the Babes With Blades Theatre Company, and was revived at the Erickson Theatre in Seattle; in Anchorage and Valdez by Toss Pot Productions, in London at the Dugdale Center, and in Los Angeles by Sacred Fools Theater Company. 2017 saw a production at the University of Northern Iowa.
The Warehouse Theatre, a student-governed theatre company working in cooperation with the Performing Arts Department of Stephens College produced the play in November of 2017.
L to R: Hope Lee as Masha, Mackenna Morrow as Prushk
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The Observer Dec 27, 2024
OBSERVER
Arcola man builds replica form elevators break the past
By Stephanie Zoer
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In Saskatchewan, he has seen discipline photographed comedy
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Stewart is proud of, and a little defensive about, the work—“I would have loved to have done something a fraction as lasting and visible in Iraq”—but when he described it to an audience of architects in London, not long ago, he said, “Let us not pretend that the whole thing is a wonderful combination of sustainability, development, architectural best practice, and consultation.” It was the lesser of evils. Stewart can make disappointment sound more alluring, more intellectually reliable, than success. He told his audience, “If you cannot always do all that you pretend, perhaps you can do more than you fear.”
By the time that Stewart left Kabul, he had emerged as a public intellectual in the United States and Britain, thanks to his books and his journalism, including a stint as an Op-Ed columnist at the Times, in March, 2007. Most notably, Stewart had become a strong critic of British and American policies in Afghanistan, arguing that the West had an obligation to the Afghan people, but a limited one, and an equal obligation to others; and that Afghanistan posed a security threat, but not a great one. He claimed that troop increases made failure only more likely, both by alienating public opinion at home—and possibly inspiring sudden withdrawal—and by alienating Afghans, w